Japanese Fiction of the Allied Occupation (Brill’s Japanese Studies Library)
May 16th, 2012 by admin

The reconstruction of identity in post World War II Japan after the trauma of war, defeat and occupation forms the subject of this latest volume in Brill’s monograph series “Japanese Studies Library”. Closely examining the role of fiction produced during the Allied Occupation, Sharalyn Orbaugh begins with an examination of the rhetoric of wartime propaganda, and explores how elements of that rhetoric were redeployed postwar as authors produced fiction linked to the redefinition of what it means to be Japanese. Drawing on tools and methods from trauma studies, gender and race studies, and film and literary theory, the study traces important nodes in the construction and maintenance of discourses of identity through attention to writers’ representations of the gaze, the body, language, and social performance. This book will be of interest to any student of the literary or cultural history of World War II and its aftermath.

Our Price : $234.00

The reconstruction of identity in post World War II Japan after the trauma of war, defeat and occupation forms the subject of this latest volume in Brill’s monograph series “Japanese Studies Library”. Closely examining the role of fiction produced during the Allied Occupation, Sharalyn Orbaugh begins with an examination of the rhetoric of wartime propaganda, and explores how elements of that rhetoric were redeployed postwar as authors produced fiction linked to the redefinition of what it means to be Japanese. Drawing on tools and methods from trauma studies, gender and race studies, and film and literary theory, the study traces important nodes in the construction and maintenance of discourses of identity through attention to writers’ representations of the gaze, the body, language, and social performance. This book will be of interest to any student of the literary or cultural history of World War II and its aftermath.

Taken Captive: A Japanese POW’s Story
May 11th, 2012 by admin

Taken Captive: A Japanese POW’s Story


$32.50


Taken Captive: A Japanese POW’s Story


$32.50

Taken Captive: A Japanese POW's Story


Taken Captive: A Japanese POW’s Story

Taken Captive: A Japanese POW’s Story Overviews
“I do not know whether I dozed off or passed out, but the next thing I remember is gradually becoming aware of a blunt object striking my body over and over. Just as I realized it was a boot kicking me in the side, I felt my arm being grabbed roughly, and I returned to full consciousness.

“One GI had hold of my right arm, and another had his rifle pointed at me, nearly touching me.

“‘Don’t move. We’re taking you prisoner,’ the one with the rifle said.”

On January 25, 1945, Private Ooka Shohei of the Japanese Imperial Army was captured by American forces in the Philippines. Near death from starvation and acute malaria, he was nursed back to health by his captors and shipped off to a POW camp. Taken Captive is his powerful and poignant account of life as a prisoner of war. Long regarded as a literary classic in Japan, this extraordinary memoir is appearing in English for the first time.

There are no epic battles or grand scale heroics. This is an intimate, gripping, and ultimately enlightening true story of a sophisticated, middle-aged scholar thrown into a primitive struggle for survival. It is filled with moments of sublime ordinariness–prisoners passing time by playing “20 Questions”–and heartstopping encounters–a lone soldier decides whether or not to shoot an unsuspecting enemy soldier.

The harsh conditions, the daily routines that occupy a prisoner’s time, and above all, the psychological struggles and behavioral quirks of captives forced to live in close confinement are conveyed with devastating simplicity and candor. Throughout, the author constantly probes his own conscience, questioning motivations and decisions. What emerges is a multileveled portrait of an individual determined to retain his humanity in an uncivilized environment.

In Taken Captive, Ooka Shohei provides much more than an unprecedented look at the POW experience from a Japanese point of view. His stirring account offers a penetrating exploration of Japanese society, and its values, as embodied by the microcosm of his fellow POWs. Recalling his wartime experiences, Ooka Shohei has created a brilliant work of rare honesty, insight, and emotional subtlety.

Taken Captive: A Japanese POW’s Story Specifications
This is an extraordinary true-life POW story, told by a Japanese soldier captured by American forces during World War II. Ooka’s concern with his imprisonment was not fear of brutality, but with how capture would look back home in Japan. In this endearing account, he relates how his American captors treated their prisoners as human beings, confusing the prisoners who saw themselves, through their own cultural filter, as dishonored wretches who had allowed capture rather than suicide or martyrdom. Ooka writes that this cultural dissonance prevented the Japanese POWs from “accepting the Americans’ warmheartedness with simple gratitude.”

Taken Captive: A Japanese POW’s Story Features

  • ISBN13: 9780471142850
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!


The Japanese Devil Fish Girl and Other Unnatural Attractions
Apr 28th, 2012 by admin

Rankin’s far-fetched steampunk sequel to The War of the Worlds!
 
It’s 1895; nearly a decade since Mars invaded Earth, chronicled by H.G. Wells in The War of the Worlds. Wrecked Martian spaceships, back-engineered by Charles Babbage and Nikola Tesla, have carried the Queen’s Own Electric Fusiliers to the red planet, and Mars is now part of the ever-expanding British Empire. Professor Coffin has a problem: the pickled Martian’s tentacles are fraying at the ends, and his Most Meritorious Unnatural Attraction (the remains of the original alien autopsy, performed by Sir Frederick Treves at the London Hospital) is no longer drawing the crowds. The less-than-scrupulous sideshow proprietor likes Off-worlders’ cash, so he needs a sensational new attraction. Word has reached him of the Japanese Devil Fish Girl; nothing quite like her has ever existed before. But Professor Coffin’s quest to possess the ultimate showman’s exhibit is about to cause considerable friction among the folk of other planets. Sufficient, in fact, to spark off Worlds War Two.

List Price : $12.95
Our Price : $5.18
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Rankin’s far-fetched steampunk sequel to The War of the Worlds!
 
It’s 1895; nearly a decade since Mars invaded Earth, chronicled by H.G. Wells in The War of the Worlds. Wrecked Martian spaceships, back-engineered by Charles Babbage and Nikola Tesla, have carried the Queen’s Own Electric Fusiliers to the red planet, and Mars is now part of the ever-expanding British Empire. Professor Coffin has a problem: the pickled Martian’s tentacles are fraying at the ends, and his Most Meritorious Unnatural Attraction (the remains of the original alien autopsy, performed by Sir Frederick Treves at the London Hospital) is no longer drawing the crowds. The less-than-scrupulous sideshow proprietor likes Off-worlders’ cash, so he needs a sensational new attraction. Word has reached him of the Japanese Devil Fish Girl; nothing quite like her has ever existed before. But Professor Coffin’s quest to possess the ultimate showman’s exhibit is about to cause considerable friction among the folk of other planets. Sufficient, in fact, to spark off Worlds War Two.
The Rhetoric of Confession: Shishosetsu in Early Twentieth-Century Japanese Fiction
Apr 23rd, 2012 by admin

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The Rhetoric of Confession: Shishosetsu in Early Twentieth-Century Japanese Fiction

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The Rhetoric of Confession: Shishosetsu in Early Twentieth-Century Japanese Fiction

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Nights in the Sun
Apr 1st, 2012 by admin

[else]

# List Price : $0.99

Nights in the Sun

Nights in the Sun
‘It was the year I broke a bone in my leg, the year I got my first kiss and the year Jesus got himself shot.’

One dead Japanese pearl diver is starting to smell. A big, slow Filipino crewman is making trouble in Sheba Lane. And a beautiful girl called Amy O’Rourke has stirred his dreams.

And there is Sam, who gets mixed up with all of them and maybe shouldn’t have.

Sam is a skinny layabout, working at the Sun Picture Stadium for his dad, and dreaming of being a legend while he checks the seats for scorpions and the back of the screen for other kids making out. All he wants is to be a hero and get the girl.

The year is 1926, the place is Japtown, and the heat is on.

[else]

Nights in the Sun
‘It was the year I broke a bone in my leg, the year I got my first kiss and the year Jesus got himself shot.’

One dead Japanese pearl diver is starting to smell. A big, slow Filipino crewman is making trouble in Sheba Lane. And a beautiful girl called Amy O’Rourke has stirred his dreams.

And there is Sam, who gets mixed up with all of them and maybe shouldn’t have.

Sam is a skinny layabout, working at the Sun Picture Stadium for his dad, and dreaming of being a legend while he checks the seats for scorpions and the back of the screen for other kids making out. All he wants is to be a hero and get the girl.

The year is 1926, the place is Japtown, and the heat is on.

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